Reckon jazz is just for connoisseurs and is merely a niche genre these days? Check out some of the greatest jazz albums on vinyl here. Rack up the volume and wallow. With lrving Mills having added the lyric, this remarkable standard has since been covered by artists as diverse as Frank Sinatra, Joe Jackson and Kelly Hogan.
The 50 Best Jazz Pianists Of All Time
Center for Jazz Studies - Columbia University
Jazz , musical form , often improvisational, developed by African Americans and influenced by both European harmonic structure and African rhythms. It was developed partially from ragtime and blues and is often characterized by syncopated rhythms, polyphonic ensemble playing, varying degrees of improvisation, often deliberate deviations of pitch, and the use of original timbres. Any attempt to arrive at a precise, all-encompassing definition of jazz is probably futile. Jazz has been, from its very beginnings at the turn of the 20th century, a constantly evolving, expanding, changing music, passing through several distinctive phases of development; a definition that might apply to one phase—for instance, to New Orleans style or swing —becomes inappropriate when applied to another segment of its history, say, to free jazz.
Thousands of Jazz24 listeners voted for the songs they felt were the best jazz songs of all time. On Air Now. The Jazz Song Artist 1. Take Five Dave Brubeck 2. So What Miles Davis 3. Round Midnight Thelonious Monk 5.
The American popular song form derives from a long history of European folk song, theater music, and light opera, and was modified in America by Broadway musicals, African American folk songs, the blues , and other musics. The B section of these songs is called the bridge or the release, or the channel , and its words, melody, and harmony contrast to the A sections. Popular song forms can also be divided into 4-bar phrases , and they may be , , or bars long. In earlier times popular songs were divided into two parts, the verse whose words set the scene for what was to come and whose melody was freer and nonrepetitive and the refrain whose words and melody were usually repeated with small variations in every chorus. By the late s the verse had begun to be dropped in performance, and by the s it was not even written as part of the song, turning songs into vignettes whose titles were often repeated as a "hook" " Blue Moon ," for example, or " It Might as Well Be Spring " , leaving only the refrain. The words, melody, and harmonic structure of popular songs all function together to continually recycle back to the beginning to repeat again.